CONTRAST: FOTOGRAFIA NO ENSINO SUPERIOR AULA ABERTA | PEDRO LEÃO NETO

 
 
 

CONTRAST: FOTOGRAFIA NO ENSINO SUPERIOR
AULA ABERTA | PEDRO LEÃO NETO

31 de Maio de 2022, 19h30
Sala 13A
Pavilhão Sul - FBAUP

O projeto CONTRAST pretende contribuir para a divulgação, criação e ensino da fotografia na sua interação com a Arte, Arquitectura e Design. Esta contribuição será desenvolvida no âmbito nacional e internacional através da partilha de experiências e conhecimentos entre escolas, grupos e associações não académicas, aproximando o interesse de diversos públicos por estes temas numa perspetiva transversal e holística.

 

A coleção CONTRAST: A FOTOGRAFIA NO ENSINO SUPERIOR é constituída por publicações em livro com uma periodicidade bienal e editadas pela scopio Editions, existindo já dois números publicados.

No próximo dia 31 de Maio, às 19h30, no Pavilhão Sul na FBAUP, Pedro Leão Neto irá apresentar uma síntese do trabalho editorial e de projeto fotográfico desenvolvido até ao momento, fomentando um debate e conversa com a participação de docentes e estudantes. em volta do trabalho desenvolvido.

 

Vídeo sobre projeto Contrast

 
 
 

EXPOSIÇÃO GLOBAL SOBRE O PROJETO CONTRAST E SUA PUBLICAÇÃO EM LIVRO

Este vídeo tem como objetivo explicar de forma global o projeto CONTRAST e a publicação bienal a ele associada. Contrast tem como missão ajudar à divulgação, criação e ensino da fotografia na sua interação com a Arte, Arquitectura e Design, através da partilha de experiências e conhecimentos entre escolas, grupos e associações não académicas, aproximando o interesse de diversos públicos por estes temas numa perspetiva transversal e holística.



 

Sessão de lançamento do livro “O Mundo às Costas”, de Pedro Bandeira

 
 
 

Sessão de lançamento do livro “O Mundo às Costas”, de Pedro Bandeira

PT/ENG

No último sábado (30), ocorreu a sessão de lançamento do livro “O Mundo às Costas” (2022), do arquitecto, professor e fotógrafo Pedro Bandeira, na livraria Circo de Ideias, no Porto. A sessão abriu espaço para uma conversa entre o autor, Magda Seifert, Pedro Baía e Pedro Leão Neto.

O Mundo às Costas apresenta-se como o primeiro volume (2001-2021) de uma "história universal" do século XXI - obviamente um delírio apesar de factual. Esta história (construída a partir de recortes de jornal), é acompanhada de um breve ensaio e de uma narrativa fotográfica dos lugares que estruturam o quotidiano do autor. Não sendo um livro de caracter disciplinar, a arquitetura (e a arquitetura sem arquitetos) acaba por ser o tema transversal que expressa toda a complexidade que caracteriza a nossa sociedade. (fonte: pedrobandeira.info)

Apoios: DGArtes; CAAA; Lab2PT; EAAD

 

Overview of the launch and presentation of the 6th edition of Sophia Journal

 
 
 

Overview of the launch and presentation of the 6th edition of Sophia Journal

21st of Abril de 2022, 18h30 | Ordem dos Arquitetos Secção Regional Norte (OA SRN)

PT/ENG

Last 21st of April, by 18h30, took place at the headquarters of Ordem dos Arquitetos Secção Regional Norte (OA SRN) the launch and presentation of the 6th edition of Sophia Journal - ‘Visual Spaces of Change: photographic documentation of environmental transformations’.

 

The event was attended by Conceição Melo, president of OASRN, who was responsible for the opening presentation and by Bruno Baldaia, vice-president of OASRN, who Introduced the publication. After the intervention of Wilfried Wang titled Image and Conscience, the debate began with the moderation of Pedro Leão Neto, having the participation of Wilfred Wang (invited editor), Carolina Leite (CEAU / FAUP) and Bruno Baldaia (OASRN). 

 

The debate proceeded informally and allowed a broad reflection about diverse issues brought by the intervention Image and Conscience, enabling the table to address and discuss several of the photography projects and articles published in this 6th edition of Sophia Journal. The published work shows howphotography is explored as a significant research tool for critical and innovative views on architecture and urban transformation in their expanded fields and contextualized by larger systems: cultural, political, artistic, technical, and historical dimensions.

 

Resumo da sessão de lançamento e apresentação da 6ª edição da publicação Sophia Journal

 
 
 

Resumo da sessão de lançamento e apresentação da 6ª edição da publicação Sophia Journal

21 de Abril de 2022, 18h30 | Ordem dos Arquitetos Secção Regional Norte (OA SRN)

PT/ENG

A Ordem dos Arquitetos Secção Regional Norte (OA SRN) recebeu na sua sede no passado dia 21 de Abril, pelas 18h30, a sessão de lançamento e apresentação da 6ª edição da publicação Sophia Journal - ‘Visual Spaces of Change: photographic documentation of environmental transformations’.

 

O evento contou com a presença de Conceição Melo, Presidente da OASRN que foi responsável pela abertura da sessão e de Bruno Baldaia, Vice-presidente da OASRN, que teve a seu cargo a apresentação da publicação Sophia. Após a intervenção de Wilfried Wang intitulada Image and Conscience, teve início o debatemoderado por Pedro Leão Neto, com a participação de Wilfred Wang (editor convidado), Carolina Leite (CEAU / FAUP) e Bruno Baldaia (OASRN).

 

O debate decorreu de forma informal e permitiu uma reflexão alargada sobre diversas problemáticas trazidas pela intervenção Image and Conscience, tendo a conversa possibilitado abordar e debater diversos dos trabalhos / artigos publicados nesta da 6ª edição da publicação Sophia Journal. Trabalhos estes onde a fotografia é explorada como um instrumento de investigação significativo na criação de perspetivas críticas e inovadoras sobre a arquitetura e a transformação do espaço urbano nos seus campos expandidos e contextualizados por sistemas maiores: dimensões culturais, políticas, artísticas, técnicas e históricas.

 

CALL FOR PAPERS: 1st International Architectural Studies Conference - Encounters with the 21st Century

 
 
 

CALL FOR PAPERS: 1st International Architectural Studies Conference

Encounters with
the 21st Century

May 19-21, 2023

The first Architectural Studies Conference takes encounters with the recent past of architecture focusing mainly on the first two decades of the 21st Century. While this time period witnessed a vast increase in the number of architectural research with a rich variety of approaches, such an increase concurrently rendered evaluating possible implications more difficult. The incentive to bring together and designate an agenda of architectural theories, arguably, has left its place to responding to urgent crises regarding ecology, violent conflicts, economic ambiguity, digital dependence, social injustice and discrimination through gender and postcolonial theories as well as many others, thereby making the task of a possible articulation of architectural research methods a rather delicate one.

ABOUT:

Architectural Studies is a biannual conference series held by the Department of Architecture at Yeditepe University. The conference intends to facilitate intellectual exchange on disciplinary and interdisciplinary scholarship and practices of architecture through the subcategories foundations, positions, and words. (1) Foundations denote dispositions that act as the limits and potentials of architectural knowledge; (2) Positions entail setting a critical perspective within architectural scholarship and practices; (3) Wordshighlight the practice of writing (on/in) architecture in manifolds forms including criticism, narration, and documentation. Through its framework and biannually varying thematic foci, the conference encourages contributions that critically engage with the existing frameworks and convictions that shape architectural discourse, practices, and constructs. 

 https://foundationspositionswords.com


 

Launching and presentation of the 6th Edition of Sophia Journal - 'Visual Spaces of Change: photographic documentation of environmental transformations

 
 
 

Launching and presentation of the 6th Edition of Sophia Journal - 'Visual Spaces of Change: photographic documentation of environmental transformations

April 21st, 2022 (THURSDAY), 6:30pm | ORDEM DOS ARQUITECTOS SECÇÃO REGIONAL NORTE (OASRN)

PT/ENG

The launching and presentation of the 6th edition of the Sophia Journal - 'Visual Spaces of Change: photographic documentation of environmental transformations' will take place on April 21, 2022, 6:30pm, at the OASRN's headquarters. The event is part of the research project funded by the FCT - Visual Spaces of Change (VSC) - under the responsibility of the Architecture, Art and Image (AAI) group, integrated in the R&D Centre for the Study of Architecture and Urbanism (CEAU) at FAUP.

The event will be attended by Maria Conceição Figueiredo Melo (President of OASRN) who will open the table. The presentation of the publication will be the responsibility of Bruno de Campos Baldaia (Vice-President of OASRN), who will then give the floor to Pedro Leão Neto (Director of the publication) who will be moderating the following debate. Wilfred Wang (Guest Editor of the 6th edition of Sophia Journal) will be the first to intervene with the keynote address Image and Conscience after which all who have integrated the Editorial team of this 6th edition will take part.

The architect Wilfried Wang is a member of CICA and the author of diverse essays, monographs and topographs on the architecture of the twentieth century, being the Guest Editor of the 6th issue of Sophia Journal. The other members of the Editorial Team were Jorge Marum (CIAUD-UBI), Leonor Matos Silva (Dinâmia'CET, ISCTE-IUL), Carolina Leite (CEAU / FAUP), Carlos Machado e Moura (CEAU / FAUP) and Maria Neto (CEAU / FAUP - UBI), being Pedro Leão Neto the Editor-in-chief of the publication.

The book launch and following debate will be held in person, being the keynote address Image and Conscience by Wilfried Wang held online. You can join this online keynote address by accessing the following link: https://youtu.be/zyQl4jKF9TI

The launch and presentations will be conducted in Portuguese.

Sede da Secção Regional Norte da Ordem dos Arquitectos Rua Álvares Cabral, 144 – Porto

Vol. 6 of Sophia Journal Visual Spaces of Change: photographic documentation of environmental transformations published articles addressing the following global issues: How do we all become aware of the gradual, but inescapable changes in the environment? How does photography raise public awareness of the pressing environmental changes implicit in our anthropocentric epoch? How can photography contribute to these complex debates? These issues were addressed from several perspectives: from confronting our memories and understandings of a place to reactivating ‘what is no longer there’ or proposing ‘what could be there’.

This volume brings together photographers and researchers who make significant contributions to these discussions, including the material processes of creating, managing and interpreting sets of documents. We are publishing work where photography is explored as a significant research tool for critical and innovative views on architecture and urban transformation in their expanded fields and contextualized by larger systems: cultural, political, artistic, technical, and historical dimensions. In this context, the works which are presented in Sophia question how the different dimensions of architecture and urban transformation may be meaningfully understood or reframed through the different lenses and perspectives of visual processes.

Editorial Team
Wilfried Wang (UTSoA) Guest Editor
Jorge Marum (CIAUD-UBI)
Leonor Matos Silva (Dinâmia’CET, ISCTE-IUL) Carolina Leite (CEAU / FAUP)
Carlos Machado e Moura (CEAU / FAUP) Maria Neto (CEAU / FAUP - UBI)

Editor-in-chief
Pedro Leão Neto


Sophia Journal Vol. 6 International Conference

  • International Conference - 6th number of Sophia Journal - Visual Spaces of Change: photographic documentation of environmental transformations took place on the 21 and 22 of May - FAUP | 2021.

    Online access to Conference

    • MORNING SESSION – 21 MAY - OPENING SESSION | PANEL #1

    • AFTERNOON SESSION – 21 MAY - PANEL #2 | PANEL #3

    • MORNING SESSION | 22 MAY - PANEL #4

      EXHIBITION at FAUP

Abstract

The International Conference for SOPHIA #6 took place at the Faculty of Architecture of University of Porto (FAUP), continuing the annual cycle of international forums on a specific theme.
Sophia Journal ́s International Conference consisted of a live and video conference programme organized by CEAU / FAUP in partnership with other institutions and the event will be held online and access to the Conference Room will only be possible to the organising team.

Encompassing a rich and diverse programme around: (i) roundtables for each panel concerning a focused topic coming from Sophia ́s comprehensive call; (ii) presentation of articles submitted; (iii) the opening of Visual Spaces of Change: photographic documentation of environmental transformations exhibition using the VSC Mobile Projector.
The contents of the exhibition will also be online soon and the exhibition experience is registered purely for research purposes, being analysed in the context of the ongoing Visual Spaces of Change: photographic documentation of environmental transformations articles and research.
The global objective of these international forums is to promote the reflection and debate on the universes of architecture, art and image, addressing various issues transversal to the worlds of photography and architecture, exploring how the image can be a means to cross borders and shift boundaries between different disciplinary areas.

 

Lançamento e apresentação da 6ª Edição da publicação Sophia Journal - ‘Visual Spaces of Change: photographic documentation of environmental transformations’

 
 
 

Lançamento e apresentação da 6ª Edição da publicação Sophia Journal - ‘Visual Spaces of Change: photographic documentation of environmental transformations’

21 de Abril de 2022 (QUINTA-feira), 18h30 | ORDEM DOS ARQUITECTOS SECçÃO REGIONAL NORTE (OASRN)

PT/ENG

Enquadrado na programação do projeto de investigação financiado pela FCT - Visual Spaces of Change (VSC) - , da responsabilidade do grupo de Arquitetura, Arte e Imagem (AAI) integrado no Centro de Estudos de Arquitetura e Urbanismo (CEAU) na FAUP, terá lugar no dia 21 de Abril de 2022, às 18h30, o lançamento e apresentação na sede da OASRN da 6a edição da publicação científica Sophia Journal - ‘Visual Spaces of Change: photographic documentation of environmental transformations’.

O evento contará com a presença de Maria Conceição Figueiredo Melo (Presidente da OASRN) que irá abrir a mesa. A apresentação da publicação estará a cargo de Bruno de Campos Baldaia (Vice-Presidente da OASRN), seguindo-se o período do debate, moderado por Pedro Leão Neto (Diretor da publicação) e que conta com a participação de toda a Equipa Editorial desta 6a edição da publicação Sophia Journal. Wilfred Wang (Guest Editor) será o primeiro a intervir com o discurso de abertura intitulado Imagem e Consciência, após o qual todos os que integraram a equipa editorial desta 6a edição participarão.

O arquitecto Wilfried Wang é membro da CICA e autor de diversos ensaios, monografias e topografias sobre a arquitectura do século XX, sendo o Editor Convidado da 6a edição da Revista Sophia. Os outros membros da Equipa Editorial foram Jorge Marum (CIAUD-UBI), Leonor Matos Silva (Dinâmia'CET, ISCTE-IUL), Carolina Leite (CEAU / FAUP), Carlos Machado e Moura (CEAU / FAUP) e Maria Neto (CEAU / FAUP - UBI), sendo Pedro Leão Neto o Diretor da publicação.

O lançamento do livro e o debate que se segue serão presenciais, sendo a intervenção de Wilfried Wang intitulada Image and Conscience realizado online, podendo ser acedida através do seguinte link: https://youtu.be/zyQl4jKF9TI

O lançamento e as apresentações serão conduzidos em português.

Sede da Secção Regional Norte da Ordem dos Arquitectos
(Rua Álvares Cabral, 144 – Porto)

O 6.º número da publicação Sophia Journal ‘Visual Spaces of Change: photographic documentation of environmental transformations’ encontra-se disponível online com acesso livre em www.up.pt/revistas/index.php/sophia.

Criada em 2016 e editada pelo grupo de investigação Arquitectura, Arte e Imagem (AAI) do Centro de Estudos em Arquitectura e Urbanismo (CEAU) da FAUP, a Sophia Journal é uma publicação académica anual com revisão por pares dedicada à divulgação de artigos críticos e exploratórios sobre o universo da imagem e arquitectura. Todas as edições da Sophia Journal, bem como os artigos publicados, são de acesso livre.

O 6.o número da publicação Sophia Journal reúne diversos fotógrafos e investigadores cujos projectos e estudos contribuem de forma significativa para o debate destas temáticas.

Destacam-se na presente edição os trabalhos a partir dos quais a "fotografia é explorada como um instrumento de investigação significativo na criação de perspetivas críticas e inovadoras sobre a arquitetura e a transformação do espaço urbano nos seus campos expandidos e contextualizados por sistemas maiores: dimensões culturais, políticas, artísticas, técnicas e históricas".

Neste contexto, os trabalhos "questionam estas diferentes dimensões da arquitectura e da transformação urbana e permitem compreender ou reenquadrar essas mesmas dimensões através de estratégias visuais diversas e diferentes lentes e perspetivas".

Os artigos publicados centram-se nas seguintes temáticas globais: De que forma podemos obter uma maior consciência sobre as mudanças graduais, mas inescapáveis, que se estão a operar no meio ambiente? De que forma pode a fotografia sensibilizar diversos públicos para as urgentes mudanças ambientais implícitas na nossa época antropocêntrica? De que forma a fotografia pode contribuir para o debate destas temáticas complexas? Estas questões e outras foram debatidas a partir de várias perspectivas: desde o confronto com as nossas memórias e compreensão de um lugar até ao reactivar "do que já não existe" ou a visão "do que poderia existir".

Em 2021, no âmbito da 6.a edição de Sophia Journal . Visual Spaces of Change: 'Photographic documentation of environmental transformations' foi realizado uma conferência internacional | 21 e 22 Maio - FAUP | 2021.


Acesso online à conferência

  • MORNING SESSION – 21 MAY - OPENING SESSION | PANEL #1

  • AFTERNOON SESSION – 21 MAY - PANEL #2 | PANEL #3

  • MORNING SESSION | 22 MAY - PANEL #4

    EXHIBITION at FAUP

 

Resumo da sessão de apresentação da publicação Contrast II: A Fotografia no Ensino Superior

 
 
 

Resumo da sessão de apresentação da publicação Contrast

28 de Março de 2022 (segunda-feira), 18h30 | Casa Comum – Reitoria da U. Porto

A Casa Comum – Reitoria U. Porto – recebeu no passado dia 28 de Março, pelas 18h30, mais uma sessão de lançamento e apresentação da publicação CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR. 

O evento contou com a presença de Delfim Sardo (Professor, Curador e Ensaísta) que teve a seu cargo a apresentação do livro, tendo em seguida passado a palavra a Raquel Paulino (Diretora do MIArq - FAUP) que na sua intervenção salientou a oportunidade da publicação e o lugar da fotografia na formação em Arquitetura. Logo depois, tiveram lugar as intervenções de Olívia Marques da Silva (uniMAD/ESMAD /IPP) e de Pedro Leão Neto (FAUP) coordenadores editoriais da publicação, tendo em seguida iniciado o período do debate.

O debate contou com a presença de diversos Editores em representação de muitas das instituições de Ensino que integram esta publicação, nomeadamente José Maças de Carvalho (DARQ), Victor dos Reis (FBAUL), Luís Filipe Ribeiro (ESMAD), Rui Lourosa (ESAP), Susana Lourenço Marques (FBAUP) e Carlos Lobo (EA.UCP).

O debate permitiu a reflexão conjunta em volta de diversas temáticas, nomeadamente a importância do ensino e da prática da fotografia nas escolas superiores portuguesas de arte, de design, de arquitetura e de estudos artísticos, proporcionando um entendimento mais aprofundado do universo da fotografia. Foi possível assim possível, a partir da publicação, falar de forma crítica e exploratória sobre diversas estratégias de ensino da fotografia, procurando-se perceber de que forma estas podem gerar pontes entre as várias áreas disciplinares onde a fotografia está presente.

Em breve teremos uma reportagem mais alargado do evento que foi coberta pela equipa de Comunicação e Imagem da U. Porto.

 

SOBRE O PROJETO 

O projeto CONTRAST conta com a experiência consolidada de dez escolas do ensino superior a lecionar fotografia em diversas áreas disciplinares e artísticas: ARCO, DARQ, DCAM, EA.UCP, ESAP, ESMAD, FAUP, FBAUL, FBAUP e IPT. Através de diversos projetos, investigação e iniciativas, bem como da experiência editorial da Cityscopio, assegura uma forte estratégia integrada e complementar de ensino, investigação e comunicação sobre fotografia, nomeadamente através da organização de conferências, debates, exposições, projetos, cursos /workshops e publicações em livro que expandem a fotografia a outras áreas disciplinares. 

O projeto foi seleccionado para financiamento no concurso de apoio a projectos criação e edição da DGARTES. 

COORDENAÇÃO 

O projeto tem uma coordenação conjunta em parceria com a Associação Cultural Cityscopio, a ESMAD-uniMAD e a FBAUP – i2ADS, sendo liderada pela FAUP através do grupo de investigação Arquitetura, Arte e Imagem (AAI) integrado do Centro de Estudo de Arquitetura e Urbanismo (CEAU). 

 

INSTITUIÇÕES DE ENSINO E CENTROS DE INVESTIGAÇÃO 

 

APOIOS 

O projeto foi seleccionado para financiamento no concurso de apoio a projectos criação e edição da DGARTES, através da Associação Cultural Cityscopio, com coordenação conjunta entre a ESMAD-uniMAD e a FBAUP – i2ADS, e liderada pela FAUP. 

A publicação “CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR” é o resultado  

O objetivo deste evento é o de debater o papel e a importância do ensino e da prática da fotografia nas escolas superiores portuguesas de arte, de design, de arquitetura e de estudos artísticos, assim como possibilitar um entendimento mais aprofundado sobre o universo da fotografia. Neste momento, está uma versão da publicação para visualização, disponível online em suporte de vídeo AQUI. 

O projeto Contrast corresponde à criação de uma rede de iniciativas artísticas multidisciplinares na Arte, Arquitectura, Design e Fotografia que conta com o envolvimento direto de dez escolas de ensino superior a lecionar fotografia em diversas áreas disciplinares e artísticas: ARCO, DARQ, DCAM, EA.UCP, ESAP, ESMAD, FAUP, FBAUL, FBAUP e IPT. 

 

Lançamento e apresentação da publicação “CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR”

 
 
 

Lançamento e apresentação da publicação “CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR”

28 de Março de 2022 (segunda-feira), 18h30 | Casa Comum – Reitoria da U. Porto

A Casa Comum – Reitoria U. Porto – vai receber, no próximo dia 28 de Março, pelas 18h30, a sessão de lançamento e apresentação da publicação CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR. 

O evento contará com a presença de Fátima Vieira, Vice-Reitora da U. Porto (Cultura, Museus e U.Porto Edições), que irá abrir a mesa. A apresentação do livro estará a cargo de Delfim Sardo (Professor, Curador e Ensaísta) seguindo-se uma breve intervenção de Raquel Paulino (Diretora do MIArq FAUP) salientando a oportunidade da publicação e o lugar da fotografia na formação em Arquitetura. Entraremos então no período do debate, moderado por Pedro Leão Neto (FAUP) e Olívia Marques da Silva (uniMAD/ESMAD /IPP), coordenadores editoriais da publicação. Este lançamento contará ainda com a presença de diversos autores que foram convidados a escrever sobre CONTRAST, bem como dos Editores que representam as 10 instituições de Ensino que integram esta publicação: AR.CO, DARQ, DCAM, EA.UCP, ESAP, ESMAD, FAUP, FBAUL, FBAUP e IPT. 
Depois das intervenções dos autores convidados, o debate em torno dos textos do volume será alargado aos Colegas das instituições participantes para que possam partilhar as suas estratégias de ensino da fotografia e comentar os trabalhos dos estudantes. 

O objetivo do evento é debater o papel e a importância do ensino e da prática da fotografia nas escolas superiores portuguesas de arte, de design, de arquitetura e de estudos artísticos, proporcionando um entendimento mais aprofundado do universo da fotografia. Pretende-se, em particular, que a partir da publicação se analisem estratégias diversas de ensino da fotografia, procurando-se perceber de que forma poderão gerar pontes entre as várias áreas disciplinares onde a fotografia está presente, e ainda ajudar a repensar o real 

Disponibilizamos AQUI, em suporte de vídeo, uma versão da publicação para visualização. 

 

SOBRE O PROJETO 

O projeto CONTRAST conta com a experiência consolidada de dez escolas do ensino superior a lecionar fotografia em diversas áreas disciplinares e artísticas: ARCO, DARQ, DCAM, EA.UCP, ESAP, ESMAD, FAUP, FBAUL, FBAUP e IPT. Através de diversos projetos, investigação e iniciativas, bem como da experiência editorial da Cityscopio, assegura uma forte estratégia integrada e complementar de ensino, investigação e comunicação sobre fotografia, nomeadamente através da organização de conferências, debates, exposições, projetos, cursos /workshops e publicações em livro que expandem a fotografia a outras áreas disciplinares. 

O projeto foi seleccionado para financiamento no concurso de apoio a projectos criação e edição da DGARTES. 

COORDENAÇÃO 

O projeto tem uma coordenação conjunta em parceria com a Associação Cultural Cityscopio, a ESMAD-uniMAD e a FBAUP – i2ADS, sendo liderada pela FAUP através do grupo de investigação Arquitetura, Arte e Imagem (AAI) integrado do Centro de Estudo de Arquitetura e Urbanismo (CEAU). 

 

INSTITUIÇÕES DE ENSINO E CENTROS DE INVESTIGAÇÃO 

 

APOIOS 

O projeto foi seleccionado para financiamento no concurso de apoio a projectos criação e edição da DGARTES, através da Associação Cultural Cityscopio, com coordenação conjunta entre a ESMAD-uniMAD e a FBAUP – i2ADS, e liderada pela FAUP. 

A publicação “CONTRAST II: A FOTOGRAFIA NO ENSINO SUPERIOR” é o resultado  

O objetivo deste evento é o de debater o papel e a importância do ensino e da prática da fotografia nas escolas superiores portuguesas de arte, de design, de arquitetura e de estudos artísticos, assim como possibilitar um entendimento mais aprofundado sobre o universo da fotografia. Neste momento, está uma versão da publicação para visualização, disponível online em suporte de vídeo AQUI. 

O projeto Contrast corresponde à criação de uma rede de iniciativas artísticas multidisciplinares na Arte, Arquitectura, Design e Fotografia que conta com o envolvimento direto de dez escolas de ensino superior a lecionar fotografia em diversas áreas disciplinares e artísticas: ARCO, DARQ, DCAM, EA.UCP, ESAP, ESMAD, FAUP, FBAUL, FBAUP e IPT. 

 

CONFERENCE - OPEN CLASS - “THINKING THE ROLE OF MODERNITY AND PHOTOGRAPHY IN THE CRITICAL AND TRANSFORMATIVE POTENTIAL OF THE EVERYDAY URBAN SPACE” WITH KATARINA ANDJELKOVIC

 
 

CONFERENCE - OPEN CLASS
“THINKING THE ROLE OF MODERNITY AND PHOTOGRAPHY IN THE CRITICAL AND TRANSFORMATIVE POTENTIAL OF THE EVERYDAY URBAN SPACE”
WITH
KATARINA ANDJELKOVIC

March 9, 2022 | 15h00 - 16h30 | (Wednesday) - Library Auditorium, FAUP - Zoom Video Conference | Open Class

The Conference - Open Class “Thinking in Conversation” with Katarina Andjelkovic will take place in the Auditorium of the Library of FAUP on the 9 of March, at 16:30, following the set of prior sessions of the Cycle of Conferences and Debates Architecture, Art and Image (AAI), with the moderation of Pedro Leão Neto and open to the whole academic community of U. Porto, with a special focus for the students of the Photography of Architecture, City and Territory (FACT) curricular units of the 2nd Cycle and Computer Aided Architectural Design Communication and Photography (CAAD I and II) of the 1st Cycle of FAUP. 

Katarina Andjelkovic is a theorist, practicing architect, researcher, and painter, who will be presenting “The role of modernity and photography in the critical and transformative potential of the everyday urban space.” The history of architectural representation testifies that modern media of photography, film, and TV are a relevant component of its historical evolution. This lecture aims to deconstruct and reconstruct discourses that understand architecture as mediated by media, but also illuminates the systems of representation with the aim to revise the history of the reproduction of reality through a photographic image. Starting with the camera as a model of a faithful reproduction of reality and the possibility to represent this reality in our collective cinematic imagination, Katarina will discuss what happens in reverse: how has the photographic image redesigned architecture, at least the way we think of architecture.   

The event (online), is open to students, teachers and researchers from U.Porto and other authors from other institutions or independent.

 
Framework 

This AAI cycle of conferences, classes and debates around the universe of Architecture, Art and Image has the institutional support of the Faculty of Architecture of the University of Porto (FAUP), the Rectory of the University of Porto and scopio Editions, being the responsibility of its organization the Centre of Studies of Architecture and Urbanism (CEAU) through its research group Architecture, Art and Image (AAI). 

These sessions are public and open to society, as well as to the academic community, allowing several authors to talk about their projects, with special focus on the themes of photography and architecture that are of great interest for the research project Visual Spaces of Change (VSC), AAC No. 02/SAICT/2017 (ref. POCI-01-0145 - FEDER - 030605), co-financed by the European Regional Development Fund and national funds through the Foundation for Science and Technology (FCT, I. P.). 

 For the digital assistance, the Zoom platform will be used. 

> Link to the Conference via Zoom 

Time: Mar 9, 2022 03:00 PM Lisbon

Join from PC, Mac, Linux, iOS or Android: https://videoconf-colibri.zoom.us/j/83872268146?pwd=bXU5UnNYejBoS2tqaThiaGc3cFlXUT09

Password: 210874

Biographies 

Katarina Andjelkovic 

Katarina Andjelkovic, with a Ph.D., M.Arch.Eng., is a theorist, practicing architect, researcher and a painter. In Spring semester 2021, Katarina is a main instructor of the HAND-DRAWING COURSE: THE FACE[S] OF ARCHITECTURE in New York City. She served as a Visiting Professor, Chair of Creative Architecture, at the University of Oklahoma U.S.A., Institute of Form Theory and History in Oslo, Institute of Urbanism and Landscape in Oslo, University of Belgrade - Faculty of Architecture, and guest-lectured at Master Studies of TU Delft - Faculty of architecture and the built environment, Doctoral studies of AHO - Oslo School of architecture and design and Bachelor studies of ITU - Istanbul Technical University. She lectures internationally at conferences in modern aesthetics of architecture, film-philosophy, new media and the city, drawing research and visual culture in more than 26 countries in Europe, United Kingdom, North America and Canada. Katarina has published her research widely in international journals (Web of Science) and won numerous awards for her architecture design and urban design competitions. She is a full author of the Preliminary Architectural Design, a national project supported by the government of Serbia. She won the Belgrade Chamber of Commerce Award for Best Master Thesis defended at Universities in Serbia in all disciplines. Katarina has published two monographs; an upcoming book chapter and several journal articles with Intellect UK. Andjelkovic exhibited her artwork at many international architectural, fine arts and photography exhibitions, including group exhibitions at Pall Mall Gallery in London, Royal Hibernian Academy in Dublin, MAAT Museum in Lisbon, International Biennial of Illustration in Belgrade, TU Delft in the Netherlands, the Museum of Applied Arts in Belgrade, the National Museum in Belgrade, Gallery Singidunum in Belgrade, the Gallery of the Central Military Club, Suluj Gallery. 

Pedro Leão Neto 

Pedro Leão Neto is an Assistant Professor at FAUP since 2002 in the area of Architecture Communication and Photography being the head ofthe courses “Computer Architecture Aided Design” (CAAD) and “Photography of Architecture, City and Territory” (FACT). He coordinates the Architecture, Art and Image (AAI) research group, integrated in FAUP´s R&D centre Centro de Estudos de Arquitectura e Urbanismo (CEAU), is director of the Cultural Association Cityscopio since 2010, as well as the founder and editorial coordinator of scopio Editions and its open platform scopionetwork, which is AAI´s research-based editorial project focused on Documentary and Artistic Photography related with Architecture, City and Territory. In the last 5 years he has been Editor-in-chief of Sophia peer review Journal specifically designed to address theoretical work on Architecture, Art and Image, which is now in its 6th edition. 

Principal researcher (PR) of several national and international projects public funded,he iscurrently thePrincipal Investigator (PI) of the project of Scientific Research and Technological Development (IC&DT) Visual Spaces of Change (VSC). VSC aims tocreatea network of public and collective spaces capable of catalyzing emerging dynamics of urban change in the Metropolitan Region of Porto, with a significant component of contemporary photography combined with mapping and information technologies. 
 
Programme subject to change (without prior notice)  

FAUP does not issue online attendance statements for the event. 

 

(COM)TACTO - O ESPELHO DA COR

 

(COM)TACTO - O ESPELHO DA COR

BY NADJA ARAÚJO, DANIEL BAPTISTA, JÉSSICA ANDRADE, CÉSAR MADUREIRA


The focus of this project is to create a conceptual space of appreciation and contemplation through the cube. The idea arises from the reflection of the colors present inside the Faculty of Economics of the University of Porto, as a manifesto of the outside, under the mirror of water that belongs to it. Through red, blue and yellow, this cube intends to reach the sensorial dimension, absorbed by the individual.

 

BETWEEN SERENITY AND SEDUCTION

 

BETWEEN SERENITY AND SEDUCTION

BY ANA CATARINA DIAS, CLÁUDIA SANTIAGO, CRISTIANA FULGÊNCIO, SOFIA CASTRO, TATIANA MOURA


Located in the eastern part of the city of Porto, the Faculty of Fine Arts occupies an old palace from the 19th century that has gardens, where buildings of architectural interest were built in the 1950s, specially designed for the teaching of the traditional disciplines of Fine Arts. Based on this pre-existing relationship between nature and architecture, it was decided that a structure should be created to give it more strength, as well as a stronger dialogue between exterior and interior and between the chaotic and fragmented atmosphere, but at the same time, organized and rational.

The structure was designed to take into account the needs of FBAUP students and, therefore, it should be something multifunctional that, in addition to having an exhibition character, as well as a space where you can work, rest, sit or even eat.

In this way, the work begins with a revisit to the spaces of the faculty, mainly to that which is the focus of the project. Here are some references to wooden structures, a natural material that makes sense to be used, taking into account the concepts that served as a motto. Because they have an architectural character and convey the idea of plasticity, color and movement, Kazimir Malevich's works served as a basis for the design of the multifunctional structure. Thus, a bigger and more complexed structure exists, that has different areas for various activities; and others smaller, for being more simple, start to separate for the main structure, therefor, blending in the nature and atmosphere that lives in FBAUP.

 

REVEALED PERSPECTIVES

 

REVEALED PERSPECTIVES

BY ANA CATARINA SILVA, BÁRBARA MACHADO, RITA CARVALHO, TÂNIA SILVA, MARCELO VALENTE


Em continuidade à exploração desenvolvida no território da FAUP, pretendemos seguir a vontade já enunciada nas fotografias desenvolvidas. Não poderia ser de outro modo.

Uma nova forma para a mesma ideia.

Procuramos a abstração da nossa, já tão conhecida FAUP. Um novo modo de ver, um novo modo de ser visto. Pretendemos roubar-lhe alguma evidência. O que esconde? O que revela? Neste distanciamento, a FAUP desmaterializa-se. Deixa de ser volume. Deixa de ser cheio. Resta o vazio.

De noite, a FAUP desenha-se de um modo diferente. Os volumes dissipam-se. Linhas horizontais flutuam junto das estrelas. Dentro delas, janelas indiscretas de vida.

Se, durante o dia vemos de dentro para fora, de noite, vemos de fora para dentro. O mundo pinta-se de negro, o interior incendeia.

Propomos intervir nos espaços exteriores da faculdade, no seu vazio. Sem o encher. As estruturas assumem-se como caixas de luz. Durante o dia, reduzem-se ao metal das treliças e superfície translúcida, que formam um oco ocupado pelo sol. De noite, é a luz interior que expande para o exterior.

Um espaço feito por vazio. Um vazio feito de luz. Nas suas paredes,  fotografias filtradas pela permeabilidade da luz do sol.

 

 

Locais de intervenção:

  • Piscina Seca, estrutura remete ao desenho das janelas de alçado

  • Pátio da Árvore, estrutura remete à forma do lanternim da biblioteca

  • Jardim Carlos Ramos, estrutura remete ao desenho do pavilhão

 

PER.ME.Á.VEL

 

PER.ME.Á.VEL

BY ANA ANDRADE , BEATRIZ GONÇALVES , JÉSSICA TEIXEIRA , RUI RAMOS , SOFIA SANTOS


The word permeable is our primary motivation to conceive this structure. Our objective is to continue the dialog between interior and exterior, transparency and opacity, already approached on our previous work. Through Japanese architecture references, we aim to shape an organic structure that leads the observer to a path defined by plays of masses and void. Through a wavy slatted wood structure, we propose to frame different moments of the path, offering it logics of transparency and opacity. The work of Kengo Kuma and the way he frames the landscape in houses like the Bamboo House and the Lotus House help us understanding this intention. As so, the preexistence in our organic unit, a central nucleus surrounded by benches, participate in the composition.

 

THE LABYRINTH. THE ECCENTRIC VISION ON THE FACULTY OF PHARMACY, UNIVERSITY OF PORTO AND INSTITUTE OF BIOMEDICAL SCIENCES ABEL SALAZAR

 

THE LABYRINTH. THE ECCENTRIC VISION ON THE FACULTY OF PHARMACY, UNIVERSITY OF PORTO AND INSTITUTE OF BIOMEDICAL SCIENCES ABEL SALAZAR

BY ANA CAROLINA VALE, LEILA CACILDA CARDOSO ALMEIDA , SABRINA CAMARGO, SOFIA PINTO


Lost, without any guide, bewildered between floors of long pathways, claustrophobia and isolation, represent some of the first sensations experienced while roaming through the physical space of the faculty.

 

The monumental characteristic of the building, its density and its presence in the context were aspects that led us to want to know the faculty. However, those were not the ones that left a mark in our experience there. It was the spaces that resulted from the constant repetition, ambiguous transitions, neutrality and bottleneck perspectives of the interior, resulting from the extreme order that composes the building. 

Claustrophobic spaces which provoke the desire of escaping, the anxiety of wanting to leave that place, serve as premise for a project that aims to explore a mental space through physical ones.  A purpose which is also present in many arts, such as literature, cinema and even history.

Nevertheless, the grandiosity that impressed us in the beginning, rapidly provoked the transcendence from reality to much more sensitive means associated with a mental chaos. Consequence of our perception of spatial successions, with no logic, which imprisons us in an endless cycle.

Something that takes us to a dissociation of the real route, as if we find ourselves in an imaginary world, similar to Alice who wanders aimlessly, deciding along the way. The diverse places succeed one another to some less used, where mysterious compositions of objects are arranged in dark places as unknowns that will never be answered. Characterizing a spatial experience we envisage as a labyrinth

 

(INTER)AÇÕES, PROJECTO 2º SEMESTRE

 

(INTER)AÇÕES, PROJECTO 2º SEMESTRE

BY MATILDA PERDICOÚLIS, NUNO ARAÚJO


‘(inter)AÇÕES’ intends, while drawing a path throughout the space of the Faculty of Engineer of Porto University, the implementation of an installation that reflects the dynamic and personal experience of the ones who systematically use this space.  This installation consists on a metallic structure, where the picture taken by us in this space is exposed and, above it, we open the way for freedom and all the possible scenario variants, — through reflex — for the ones who take the place of the photographer of the exposed picture.

The photography narrative — and, of course, the location of all the integrant pieces of our installation — is integrated both in the exterior and the interior of the Faculty.  It is frequent, in our narrative, the presence of a recurring element, indirectly repeated by reflexes and other allegoric visual moments.  The multiplicity of options of possible interactions in the same space and the dynamism reflected on the glass of the installation is absolutely strong.

 Another facet of the narrative is the simultaneous nature of the present and the absent.  This happens in the interior of the Faculty, in momentarily empty spaces (e.g. classrooms, corridors) that combine the silence with the chaotic movement — intrinsic to the character of School — in them implicit.

The fact that the exposed photographs are black and white, allows the exercise to an even bigger contrast between them and the reality they represent.  Side by side, the manipulated reality — the photograph — and the instant and moldable one, accordingly to the unexpected scenario — the reflex.  A tonal dichotomy.

As a strategically positioned installation, ‘(inter)AÇÕES’ explores the dynamics of spatial appropriation in this Faculty, when in use or when unoccupied — what, due to the context of the pandemic, has been a recurring issue.

When adhering to the experiment of our installation, the possibilities of portraying a place, a moment, a unique experience, become infinite.

 

CAAD-F II 2020-2021

 
 

THE INTROSPECTION OF BORDERS

 

THE INTROSPECTION OF BORDERS

BY ALESSANDRO TAROLLI, GIULIO DALLE VEDOVE, MARCO DAL LAGO


The introspection of borders

How a pandemic can change our experience of buildings

 

‘Cities are invisible, not because they aren’t there, but because they always hide something that always escapes our eyes’

Italo Calvino, Le Città Invisibili

 

When we take a photo, we usually follow the need of showing as much as possible, trying to keep in mind the “classic view”. In other words, the optimal conditions, such as the shooting points and the lighting, are those that allow us to capture as much visual information as possible.

However, on certain occasions, what the image shows becomes more interesting as the immediacy of understanding the image itself decreases. Thus, not only what the photographer wants to show, but also -and above all- what Ernst Gombrich defines as the “beholder’s share” plays an important role in the photographic field: reading or decoding a photograph is part of the viewer’s pleasure.

This is why the architectural photographer’s visual investigation should focus on understanding and transmitting spatial expression. The latter is obviously derived by the photographer’s first reading of the space, which is shaped by the light and shadows on the surfaces of the building itself.

Our intent is therefore to show the building indirectly, or at least filtered by its own reflections on its numerous surfaces. Consequently, that allows a revelation of its soul thanks to the light, even though arduous contrasts between lights and shades.

With regards to our case study, an imposing block of concrete that is laid on a slender glass plate emerges in the geography of Paranhos. Once you approach the building, you may immediately perceive its relationship with the sunlight: continuous light and shade effects, the contrast between light and shadow.

It can be noticed how the light first hits the building and secondly is reflected on the glass surfaces, even though the tall ground-floor windows are protected by the prominent structure. As a consequence, a constant effect of light emerges on the outside. However, this obvious interplay becomes more and more discreet once you enter the building.

In the inner space, a superposition of three out of sync heights causes the light to pass through the air indirectly, softening itself while sliding down inside the building. There is a constant succession of light and shadows that continues to cast itself onto the rough surfaces of the walls, as if in search of a never-ending bond with the matter.

The perpetual reflection of reality seems to look for the boundaries of its space. However, its diffusion in the room continues to change wWbe- cause of the volume of the building, creating this perpetual being.

Our narrative talks about the relationship that we have with the building during the pandemic.

The building itself is introspective, without revealing its interior peculiarity and his relationship between light and shadow. The access restriction due to this period didn’t allow us to know better the soul of the building and increased its introspectiveness.

Instead of fully observing the building from the interior, we started to research an indirect connection with it through the surroundings. We tried to look at the building filtered from different perspectives, through different reflections and climate situations.

A paddle shows a detail that you cannot notice when you’re close to the building; some trees gradually unveil the building in its urban surroundings and frame it in a different scenario. Also the building itself appropriates the context making it its painting.

Exploring these limits and these peculiarities, we realised how much the visual situations can change the relationship between the people and the building - underlining the difference with the users of the same building form the people walking nearby.

 

THE INTROSPECTION OF BORDERS HOW A PANDEMIC CAN CHANGE OUR EXPERIENCE OF BUILDINGS

 

THE INTROSPECTION OF BORDERS HOW A PANDEMIC CAN CHANGE OUR EXPERIENCE OF BUILDINGS

BY ALESSANDRO TAROLLI, GIULIO DALLE VEDOVE, MARCO DAL LAGO


When we take a photo, we usually follow the need of showing as much as possible, trying to keep in mind the “classic view”. In other words, the optimal conditions, such as the shooting points and the lighting, are those that allow us to capture as much visual information as possible.

However, on certain occasions, what the image shows becomes more interesting as the immediacy of understanding the image itself decreases. Thus, not only what the photographer wants to show, but also -and above all- what Ernst Gombrich defines as the “beholder’s share” plays an im- portant role in the photographic field: reading or decoding a photograph is part of the viewer’s pleasure.

This is why the architectural photographer’s visual investigation should focus on understanding and transmitting spatial expression. The latter is obviously derived by the photographer’s first reading of the space, which is shaped by the light and shadows on the surfaces of the building itself.

Our intent is therefore to show the building indirectly, or at least fil- tered by its own reflections on its numerous surfaces. Consequently, that allows a revelation of its soul thanks to the light, even though arduous contrasts between lights and shades.

With regards to our case study, an imposing block of concrete that is laid on a slender glass plate emerges in the geography of Paranhos. Once you approach the building, you may immediately perceive its relationship with the sunlight: continuous light and shade effects, the contrast between light and shadow.

It can be noticed how the light first hits the building and secondly is re- flected on the glass surfaces, even though the tall ground-floor windows are protected by the prominent structure. As a consequence, a constant effect of light emerges on the outside. However, this obvious interplay becomes more and more discreet once you enter the building.

In the inner space, a superposition of three out of sync heights causes the light to pass through the air indirectly, softening itself while sliding down inside the building. There is a constant succession of light and shadows that continues to cast itself onto the rough surfaces of the walls, as if in search of a never-ending bond with the matter.

The perpetual reflection of reality seems to look for the boundaries of its space. However, its diffusion in the room continues to change because of the volume of the building, creating this perpetual being.

Our narrative talks about the relationship that we have with the build- ing during the pandemic.

The building itself is introspective, without revealing its interior peculiarity and his relationship between light and shadow.The access restriction due to this period didn’t allow us to know better the soul of the building and increased its introspectiveness.

Instead of fully observing the building from the interior, we started to research an indirect connection with it through the surroundings.We tried to look at the building filtered from different perspectives, through different reflections and climate situations.

A paddle shows a detail that you cannot notice when you’re close to the building; some trees gradually unveil the building in its urban surroundings and frame it in a different scenario. Also the building itself appropriates the context making it its painting.

Exploring these limits and these peculiarities, we realised how much the visual situations can change the relationship between the people and the building - underlining the difference with the users of the same building form the people walking nearby.